This book argues that play offered Hamlet, John Donne, George Herbert, Andrew Marvell, Robert Burton, and Sir Thomas Browne a way to live within the contradictions and conflicts of late Renaissance life by providing a new stance for the self. Grounding its argument in recent theories of play and in a historical analysis that sees the seventeenth century as a point of crisis in the formation of the western self, the author demonstrates how play helped mediate this crisis and how central texts of the period enact this mediation.
The study of the reception of the ancient novel and of its literary and cultural heritage is one of the most appealing issues in the story of this literary genre. In no other genre has the vitality of classical tradition manifested itself in such a lasting and versatile manner as in the novel.
However, this unifying, centripetal quality also worked in an opposite direction, spreading to and contaminating future literatures. Over the centuries, from Antiquity to the present time there have been many authors who drew inspiration from the Greek and Roman novels or used them as models, from Cervantes to Shakespeare, Sydney or Racine, not to mention the profound influence these texts exercised on, for instance, sixteenth-to eighteenth-century Italian, Portuguese and Spanish literature.
Volume I is divided into sections that follow a chronological order, while Volume II deals with the reception of the ancient novel in literature and art. The first volume brings together an international group of scholars whose main aim is to analyse the survival of the ancient novel in the ancient world and in the Middle Ages, in the Renaissance, in the 17th and 18th centuries, and in the modern era.
The contributors to the second volume have undertaken the task of discussing the survival of the ancient novel in the visual arts, in literature and in the performative arts. The papers assembled in these two volumes on reception are at the forefront of scholarship in the field and will stimulate scholarly research on the ancient novel and its influence over the centuries up to modern times, thus enriching not only Classics but also modern languages and literatures, cultural history, literary theory and comparative literature.
The protagonists of the ancient novels wandered or were carried off to distant lands, from Italy in the west to Persia in the east and Ethiopia in the south; the authors themselves came, or pretended to come, from remote places such as Aphrodisia and Phoenicia; and the novelistic form had antecedents in a host of classical genres. These intersections are explored in this volume. Album Musica, No.
Arranger Ray Alston. Early 20th century. Composition history. Good Press publishes a wide range of titles that encompasses every genre. Each Good Press edition. This book provides vocabulary and commentary to Longus' ancient romance novel Daphnis and Chloe c. Longus' text tells the ostensibly simple story of how an innocent young boy the goatherder Daphnis and girl the shepherdess Chloe on. Prose fiction, although not always associated with classical antiquity, flourished in the early Roman Empire, not only in realistic Latin novels but also and indeed principally in the Greek ideal romance of love and adventure.
Enormously popular in the Renaissance, these stories have been less familiar in later centuries. Download or read online Daphnis Chloe written by Longus, published by Unknown which was released on Get Daphnis Chloe Books now! The twenty-three contributions collected in this volume on Greek and Latin Pastoral focus mainly on the historical genesis, the stylistic and narrative features, the literary self-definition, and the fortunes of pastoral from its Theocritean origins to the Byzantine age.
We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Daphnis and Chloe Maurice Ravel. Daphnis and Chloe Department of Music. The commentary provides a detailed analysis of Longus' Greek and its relation to other Greek prose and poetry of the second century AD and earlier, and emphasises the construction and style of the original text, drawing out key points for clarification and discussion. A wide-ranging introduction ensures that this book will be an indispensable guide for teachers and students of all levels who are looking to engage with Longus' writing.
In this collection of Greek fiction written between the first and fourth centuries AD, 'Callirhoe' is the stirring tale of star-crossed lovers Chaereas and Callirhoe, torn apart when she is kidnapped and sold as a slave, while 'Daphnis and Chloe' tells of a boy and girl abandoned at birth, who grow up to fall in love and battle pirates.
Greek Fiction - also containing 'Letters of Chion', an early thriller about tyranny and a political assassination - is a fascinating glimpse into an alternative view of Ancient Greece's literary culture. The protagonists of the ancient novels wandered or were carried off to distant lands, from Italy in the west to Persia in the east and Ethiopia in the south; the authors themselves came, or pretended to come, from remote places such as Aphrodisia and Phoenicia; and the novelistic form had antecedents in a host of classical genres.
These intersections are explored in this volume. Section 3 looks at the way ancient fiction has been transmitted and received. Space, as the locus of cultural interaction and exchange, is the topic of the fourth part. The fifth and final section is devoted to character and emotion, and how these are perceived or constructed in ancient fiction. Overall, a rich picture is offered of the many spatial and cultural dimensions in a variety of ancient fictional genres.
This book provides vocabulary and commentary to Longus' ancient romance novel Daphnis and Chloe c. Longus' text tells the ostensibly simple story of how an innocent young boy the goatherder Daphnis and girl the shepherdess Chloe on the Aegean island of Lesbos gradually discover love, sex, and their true selves in a semi-idealized pastoral environment.
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